{"id":449,"date":"2021-09-15T10:54:18","date_gmt":"2021-09-15T13:54:18","guid":{"rendered":"https:\/\/www2.uepg.br\/ppgh\/?page_id=449"},"modified":"2021-09-30T13:53:45","modified_gmt":"2021-09-30T16:53:45","slug":"449-2","status":"publish","type":"page","link":"https:\/\/www2.uepg.br\/ppgh\/449-2\/","title":{"rendered":"SESS\u00d5ES DE DEBATES &#8211; 1o. Col\u00f3quio"},"content":{"rendered":"<h1 style=\"text-align: center\"><strong><span style=\"color: #993300\">SE<\/span><span style=\"color: #ff0000\">SS<\/span><span style=\"color: #ff9900\">\u00d5E<\/span><span style=\"color: #ffff00\">S<\/span> <span style=\"color: #00ff00\">DE<\/span> <span style=\"color: #00ccff\">DE<\/span><span style=\"color: #0000ff\">BA<\/span><span style=\"color: #800080\">TE<\/span><span style=\"color: #ff00ff\">S<\/span><\/strong><\/h1>\n<h3 style=\"text-align: center\">(atividades remotas &#8211; os links para as salas virtuais ser\u00e3o enviados para os inscritos)<\/h3>\n<p><span style=\"color: #333333\"><strong>Acesso aos textos das sess\u00f5es de debate <a style=\"color: #333333\" href=\"https:\/\/drive.google.com\/drive\/folders\/1vjhtvhH_nWJ-o78v4941Vej5wrgvlalO?usp=sharing\">aqui<\/a>.<\/strong><\/span><\/p>\n<h2><span style=\"color: #993300\">Sess\u00e3o 1 &#8211; 29\/09\/2021 &#8211; 14 horas<\/span><\/h2>\n<ul>\n<li>REPRESENTA\u00c7\u00d5ES E APROPRIA\u00c7\u00d5ES DE LIVROS DID\u00c1TICOS DE HIST\u00d3RIA: ESTUDANTES DE GUARAPUAVA (PR) EM FOCO DE AN\u00c1LISE &#8211; Mariana de S\u00e1 Gaspar<\/li>\n<li>AS REPRESENTA\u00c7\u00d5ES EQUESTRES AL\u00c9M DAS EST\u00c1TUAS: ARTE DE RUA, SIMBOLOGIA E PODER &#8211; Priscila Mocelin Lara<\/li>\n<li>CONSIDERA\u00c7\u00d5ES HIST\u00d3RICAS E TE\u00d3RICAS PARA O ESTUDO DE PR\u00c1TICAS E REPRESENTA\u00c7\u00d5ES NO MOSTEIRO DA RESSURREI\u00c7\u00c3O (PONTA GROSSA \u2013 PR) &#8211; Luiz Ricardo Pauluk<\/li>\n<li>REPRESENTA\u00c7\u00d5ES DE ESPA\u00c7OS DE MEM\u00d3RIA: MUSEALIZA\u00c7\u00c3O DA MEM\u00d3RIA E DA IDENTIDADE DA COL\u00d4NIA CASTROLANDA &#8211; Samara Hevelize de Lima<\/li>\n<li>SENTIDOS DA ALIMENTA\u00c7\u00c3O DE CONSUMIDORES DE AGROECOL\u00d3GICOS EM PONTA GROSSA &#8211; Murilo Carlos Siqueira<\/li>\n<\/ul>\n<h2><span style=\"color: #ff00ff\">Sess\u00e3o 2 &#8211; 29\/09\/2021 &#8211; 14 horas<\/span><\/h2>\n<ul>\n<li>A CONSCI\u00caNCIA HIST\u00d3RICA EM ESTUDANTES DE GRADUA\u00c7\u00c3O DE HIST\u00d3RIA &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Mayra Rodr\u00edguez Hern\u00e1ndez&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Mayra Rodr\u00edguez Hern\u00e1ndez<\/span><\/li>\n<li>REBELI\u00c3O BATEU A PORTA: AS OCUPA\u00c7\u00d5ES DOS COL\u00c9GIOS P\u00daBLICOS PARANAENSES EM 2016 &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Luiz Eduardo Ferreira Palma&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Luiz Eduardo Ferreira Palma<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;\u201cAD DEXTERAM DEI\u201d: A LIGA ELEITORAL CAT\u00d3LICA NO CONTEXTO PR\u00c9-CONCILIAR (1955-1963), UMA ABORDAGEM A PARTIR DO CASO PONTA-GROSSENSE&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16711935},&quot;12&quot;:0}\">\u201cAD DEXTERAM DEI\u201d: A LIGA ELEITORAL CAT\u00d3LICA NO CONTEXTO PR\u00c9-CONCILIAR (1955-1963), UMA ABORDAGEM A PARTIR DO CASO PONTA-GROSSENSE &#8211; Ricardo Enguel Gon\u00e7alves<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;DE QUEM \u00c9 A \u00c1GUA? PERCEP\u00c7\u00d5ES SOBRE A PRIVATIZA\u00c7\u00c3O DA \u00c1GUA \u00c1 LUZ DO FILME MAD MAX: FURY ROAD (2015), DE GEORGE MILLER. &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16711935},&quot;12&quot;:0}\">DE QUEM \u00c9 A \u00c1GUA? PERCEP\u00c7\u00d5ES SOBRE A PRIVATIZA\u00c7\u00c3O DA \u00c1GUA \u00c1 LUZ DO FILME MAD MAX: FURY ROAD (2015), DE GEORGE MILLER. &#8211; Caroline Dias Rosa<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;NEM TUDO QUE ACABA TEM FINAL: CONTINUIDADES DA SOCIEDADE DE CULTURA ART\u00cdSTICA BRAS\u00cdLIO ITIBER\u00ca EM PONTA GROSSA (PR)&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16711935},&quot;12&quot;:0}\">NEM TUDO QUE ACABA TEM FINAL: CONTINUIDADES DA SOCIEDADE DE CULTURA ART\u00cdSTICA BRAS\u00cdLIO ITIBER\u00ca EM PONTA GROSSA (PR) &#8211; Isabele Foga\u00e7a de Almeida<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;A TRANSFORMA\u00c7\u00c3O DA AGRICULTURA PARANAENSE NO PROCESSO DE FOMENTO DA IND\u00daSTRIA NA D\u00c9CADA DE 1970: DOS CAFEZAIS \u00c0S LAVOURAS DIVERSIFICADAS&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16711935},&quot;12&quot;:0}\">A TRANSFORMA\u00c7\u00c3O DA AGRICULTURA PARANAENSE NO PROCESSO DE FOMENTO DA IND\u00daSTRIA NA D\u00c9CADA DE 1970: DOS CAFEZAIS \u00c0S LAVOURAS DIVERSIFICADAS &#8211; Juliane Roberta Santos Moreira<\/span><\/li>\n<\/ul>\n<h2><span style=\"color: #ff0000\">Sess\u00e3o 3 &#8211; 30\/09\/2021 &#8211; 14 horas<\/span><\/h2>\n<ul>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;DITADURA BRASILEIRA: OS USOS DA MEM\u00d3RIA NA CONSTRU\u00c7\u00c3O DE NARRATIVAS ANTIDEMOCR\u00c1TICAS NAS POSTAGENS EM GRUPOS DO FACEBOOK&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16711680},&quot;12&quot;:0}\">DITADURA BRASILEIRA: OS USOS DA MEM\u00d3RIA NA CONSTRU\u00c7\u00c3O DE NARRATIVAS ANTIDEMOCR\u00c1TICAS NAS POSTAGENS EM GRUPOS DO FACEBOOK &#8211; Rog\u00e9rio Anderson da Silva<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;PORNOGRAFIA E HIST\u00d3RIA: RELA\u00c7\u00d5ES DE PODER, GENERO E PERFORMANCE NA CONTEMPORANEIDADE&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16711680},&quot;12&quot;:0}\">PORNOGRAFIA E HIST\u00d3RIA: RELA\u00c7\u00d5ES DE PODER, GENERO E PERFORMANCE NA CONTEMPORANEIDADE &#8211; Elize Fadel<\/span><\/li>\n<li>NEOPENTECOSTAIS E A GUERRA ESPIRITUAL NO CEN\u00c1RIO RELIGIOSO BRASILEIRO &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Daniel Lopes&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Daniel Lopes<\/span><\/li>\n<li>O SACERDOTE DE \u00c9RIS A SERVI\u00c7O DA ORDEM: A TRAJET\u00d3RIA INTELECTUAL DE EMIR CALLUF NA CURITIBA P\u00d3S 64 &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Ana Fl\u00e1via Barboza Garcia&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Ana Fl\u00e1via Barboza Garcia<\/span><\/li>\n<li>IDENTIDADES SEM TERRAS: MST EM QUEDAS DO IGUA\u00c7U -PR (2004-2014) &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Barbara Nagae&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Barbara Nagae<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;MUSEU IMIGRANTE HOLAND\u00caS (ARAPOTI-PARAN\u00c1): RELA\u00c7\u00d5ES ENTRE COMUNIDADE E SEU ACERVO&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16711680},&quot;12&quot;:0}\">MUSEU IMIGRANTE HOLAND\u00caS (ARAPOTI-PARAN\u00c1): RELA\u00c7\u00d5ES ENTRE COMUNIDADE E SEU ACERVO &#8211; Lorena Zomer<\/span><\/li>\n<\/ul>\n<h2><span style=\"color: #ff9900\">Sess\u00e3o 4 &#8211; 30\/09\/2021 &#8211; 14 horas<\/span><\/h2>\n<ul>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;HIST\u00d3RIA, LEGITIMIDADE E REVISIONISMOS&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16750848},&quot;12&quot;:0}\">HIST\u00d3RIA, LEGITIMIDADE E REVISIONISMOS- Gustavo Fardin Anzuategui<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;NEGA\u00c7\u00c3O DA MATERNIDADE: PR\u00c1TICAS DE INFANTIC\u00cdDIO E ABORTO NA COMARCA DE GUARAPUAVA EM 1920 A 1970&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16750848},&quot;12&quot;:0}\">NEGA\u00c7\u00c3O DA MATERNIDADE: PR\u00c1TICAS DE INFANTIC\u00cdDIO E ABORTO NA COMARCA DE GUARAPUAVA EM 1920 A 1970 &#8211; Micheli Rosa<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;BREVE DISCUSS\u00c3O SOBRE USOS, FUN\u00c7\u00d5ES E INTERPRETA\u00c7\u00d5ES DE FONTES IMAG\u00c9TICAS&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16750848},&quot;12&quot;:0}\">BREVE DISCUSS\u00c3O SOBRE USOS, FUN\u00c7\u00d5ES E INTERPRETA\u00c7\u00d5ES DE FONTES IMAG\u00c9TICAS &#8211; Grasiele Aparecida Santos da Silva<\/span><\/li>\n<li>O JORNAL DE UMBANDA E A FORMA\u00c7\u00c3O DE UMA IDENTIDADE RELIGIOSA UMBANDISTA NO BRASIL DOS ANOS 50 &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Bruno dos Santos Grube&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Bruno dos Santos Grube<\/span><\/li>\n<li>INVEN\u00c7\u00c3O OU HIST\u00d3RIA DE UMA REGI\u00c3O? &#8212; OS CAMPOS GERAIS NA HISTORIOGRAFIA DE JOS\u00c9 CARLOS VEIGA LOPES &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Paulo Henrique Taufer&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Paulo Henrique Taufer <\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;A RELA\u00c7\u00c3O ENTRE FICAR E SAIR: JOVENS E A PERMAN\u00caNCIA NO CAMPO NO CONTEXTO DAS LUTAS PELA TERRA NO ASSENTAMENTO PIRITUBA\/SP.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16750848},&quot;12&quot;:0}\">A RELA\u00c7\u00c3O ENTRE FICAR E SAIR: JOVENS E A PERMAN\u00caNCIA NO CAMPO NO CONTEXTO DAS LUTAS PELA TERRA NO ASSENTAMENTO PIRITUBA\/SP &#8211; Giovana Rodrigues Martins <\/span><\/li>\n<\/ul>\n<h2><span style=\"color: #ffff00\">Sess\u00e3o 5 &#8211; 01\/10\/2021 &#8211; 14 horas<\/span><\/h2>\n<ul>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;AS EQUIPES MULTIDISCIPLINARES E AS REPRESENTA\u00c7\u00d5ES CONSTRU\u00cdDAS SOBRE AS QUEST\u00d5ES IND\u00cdGENAS NA ESCOLA (2015-2019)&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16776960},&quot;12&quot;:0}\">AS EQUIPES MULTIDISCIPLINARES E AS REPRESENTA\u00c7\u00d5ES CONSTRU\u00cdDAS SOBRE AS QUEST\u00d5ES IND\u00cdGENAS NA ESCOLA (2015-2019) &#8211; H\u00e9lia Motta<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;A CONSTRU\u00c7\u00c3O DA COMUNIDADE \u00c9TNICO-RELIGIOSA DOS IMIGRANTES POLONESES DA COL\u00d4NIA SANTA B\u00c1RBARA-PR&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16776960},&quot;12&quot;:0}\">A CONSTRU\u00c7\u00c3O DA COMUNIDADE \u00c9TNICO-RELIGIOSA DOS IMIGRANTES POLONESES DA COL\u00d4NIA SANTA B\u00c1RBARA-PR- Karina Vanessa Albano<\/span><\/li>\n<li>RELA\u00c7\u00d5ES EM CONFLITO: AS TENS\u00d5ES RUSSO-UCRANIANAS ANALISADAS A PARTIR DO CHLIBOROB &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Henrique Schlumberger Vitchmichen&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Henrique Schlumberger Vitchmichen<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;\u201cENCONTRO DO POPULAR E A POL\u00cdTICA CULTURAL\u201d: TRANSFORMA\u00c7\u00d5ES E PERMAN\u00caNCIAS DOS REISADOS NA CIDADE DE MERUOCA-CE (2003-2021)&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16776960},&quot;12&quot;:0}\">\u201cENCONTRO DO POPULAR E A POL\u00cdTICA CULTURAL\u201d: TRANSFORMA\u00c7\u00d5ES E PERMAN\u00caNCIAS DOS REISADOS NA CIDADE DE MERUOCA-CE (2003-2021) &#8211; Alana Maria de Lima Barros<\/span><\/li>\n<li>O IMPACTO DA EXTENS\u00c3O RURAL NA IMPLEMENTA\u00c7\u00c3O DA AGROECOLOGIA NOS SISTEMAS TRADICIONAIS DE ERVA-MATE DA REGI\u00c3O CENTRO-SUL DO PARAN\u00c1 POR MEIO DAS A\u00c7\u00d5ES DAS INSTITUI\u00c7\u00d5ES IAPAR, EMATER E AS-PTA &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Brenda Carolina Busato Rotter&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Brenda Carolina Busato Rotter<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;ACERVO FOTO ELITE: APONTAMENTOS SOBRE A TRAJET\u00d3RIA PESSOAL E PROFISSIONAL DE DOMINGOS SILVA SOUZA&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:16776960},&quot;12&quot;:0}\">ACERVO FOTO ELITE: APONTAMENTOS SOBRE A TRAJET\u00d3RIA PESSOAL E PROFISSIONAL DE DOMINGOS SILVA SOUZA &#8211; Jessika Karina da Silva<\/span><\/li>\n<\/ul>\n<h2><span style=\"color: #99cc00\">Sess\u00e3o 6 &#8211; 01\/10\/2021 &#8211; 14 horas<\/span><\/h2>\n<ul>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;AN\u00c1LISE DO GOSTO E CONFIAN\u00c7A EM METODOLOGIAS DE ENSINO DE HIST\u00d3RIA: ASPECTOS TE\u00d3RICOS E ESTAT\u00cdSTICOS&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65280},&quot;12&quot;:0}\">AN\u00c1LISE DO GOSTO E CONFIAN\u00c7A EM METODOLOGIAS DE ENSINO DE HIST\u00d3RIA: ASPECTOS TE\u00d3RICOS E ESTAT\u00cdSTICOS- Karine <\/span><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;AN\u00c1LISE DO GOSTO E CONFIAN\u00c7A EM METODOLOGIAS DE ENSINO DE HIST\u00d3RIA: ASPECTOS TE\u00d3RICOS E ESTAT\u00cdSTICOS&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65280},&quot;12&quot;:0}\">de Fatima Almeida<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;UMA PROPOSTA NARRATIVA DE FEMINISMO POR MEIO DA LITERATURA: NOTAS PRELIMINARES&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65280},&quot;12&quot;:0}\">UMA PROPOSTA NARRATIVA DE FEMINISMO POR MEIO DA LITERATURA: NOTAS PRELIMINARES &#8211; Mariana Barbosa de Souza<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot; BRUXARIA PRESENTE NAS P\u00c1GINAS DE DISCOVERIE OF WITCHCRAFT (1584), DE REGINALD SCOT&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65280},&quot;12&quot;:0}\"> BRUXARIA PRESENTE NAS P\u00c1GINAS DE DISCOVERIE OF WITCHCRAFT (1584), DE REGINALD SCOT &#8211; Thais da Silva Osga<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;O DRAMA DA FAZENDA FORTALEZA: AS RELA\u00c7\u00d5ES ENTRE HIST\u00d3RIA E LITERATURA NO ROMANCE DE DAVID CARNEIRO (1941)&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65280},&quot;12&quot;:0}\">O DRAMA DA FAZENDA FORTALEZA: AS RELA\u00c7\u00d5ES ENTRE HIST\u00d3RIA E LITERATURA NO ROMANCE DE DAVID CARNEIRO (1941) &#8211; Thiago de Paula<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;O RETRATO DE DORIAN GRAY (1891): CR\u00cdTICA \u00c0 SOCIEDADE VITORIANA E RECEP\u00c7\u00c3O DA OBRA DE OSCAR WILDE&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65280},&quot;12&quot;:0}\">O RETRATO DE DORIAN GRAY (1891): CR\u00cdTICA \u00c0 SOCIEDADE VITORIANA E RECEP\u00c7\u00c3O DA OBRA DE OSCAR WILDE &#8211; Vitor Bomfim Lopes<\/span><\/li>\n<li>EXPEDI\u00c7\u00d5ES CIENT\u00cdFICAS E A NATUREZA ANT\u00c1RTICA: PERCEP\u00c7\u00d5ES E SENSA\u00c7\u00d5ES EM MEIO A IMENSID\u00c3O GELADA &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Renato Ricardo Schnell Junior&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Renato Ricardo Schnell Junior<\/span><\/li>\n<\/ul>\n<h2><span style=\"color: #00ffff\">Sess\u00e3o 7 &#8211; 01\/10\/2021 &#8211; 18:30 horas<\/span><\/h2>\n<ul>\n<li>INTERESSE DOS JOVENS NA HIST\u00d3RIA DA AM\u00c9RICA LATINA EM MEIO \u00c0 PANDEMIA &#8211; Ariana Bel\u00e9n Fuentes<\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;A PANDEMIA DE AIDS NAS P\u00c1GINAS DA REVISTA MANCHETE DURANTE OS ANOS 1980 E 1990&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65535},&quot;12&quot;:0}\">A PANDEMIA DE AIDS NAS P\u00c1GINAS DA REVISTA MANCHETE DURANTE OS ANOS 1980 E 1990 &#8211; Frederico Renan Hilgenberg Gomes<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;PENSIONISTAS X INDIGENTES: SEGREGA\u00c7\u00c3O E TRATAMENTO DA TUBERCULOSE NO SANAT\u00d3RIO S\u00c3O SEBASTI\u00c3O DA LAPA (1927-1951)&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65535},&quot;12&quot;:0}\">PENSIONISTAS X INDIGENTES: SEGREGA\u00c7\u00c3O E TRATAMENTO DA TUBERCULOSE NO SANAT\u00d3RIO S\u00c3O SEBASTI\u00c3O DA LAPA (1927-1951) &#8211; Natalirio Cleto Cardoso Junior <\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;THE FORERUNNER: EUGENIA, FEMINISMO E MATERNALISMO POL\u00cdTICO (1909-1916).&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65535},&quot;12&quot;:0}\">THE FORERUNNER: EUGENIA, FEMINISMO E MATERNALISMO POL\u00cdTICO (1909-1916) &#8211; Luana de Almeida Santos<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;A SITUA\u00c7\u00c3O H\u00cdDRICA DE PONTA GROSSA: DOS ARROIOS AO ABASTECIMENTO DE \u00c1GUA&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:65535},&quot;12&quot;:0}\">A SITUA\u00c7\u00c3O H\u00cdDRICA DE PONTA GROSSA: DOS ARROIOS AO ABASTECIMENTO DE \u00c1GUA &#8211; Thiago Luiz Bohatc<\/span><\/li>\n<li>ENTRE BICHAS E BOFES: O AU\u00ca DAS PALAVRAS NO JORNAL LAMPI\u00c3O DA ESQUINA (1978- 1981) &#8211; Alisson Gon\u00e7alves<\/li>\n<\/ul>\n<h2><span style=\"color: #0000ff\">Sess\u00e3o 8 &#8211; 01\/10\/2021 &#8211; 18:30 horas<\/span><\/h2>\n<ul>\n<li>O DI\u00c1RIO DE ANNE FRANK EM QUADRINHOS: AN\u00c1LISE DAS DIMENS\u00d5ES EST\u00c9TICA E COGNITIVA &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Mirielen Machado Rodrigues&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Mirielen Machado Rodrigues<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;A REPRESENTA\u00c7\u00c3O DO CAP\u00cdTULO XII DO APOCALIPSE NA OBRA IMAG\u00c9TICA DE WILLIAM BLAKE (1780-1824).&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:255},&quot;12&quot;:0}\">A REPRESENTA\u00c7\u00c3O DO CAP\u00cdTULO XII DO APOCALIPSE NA OBRA IMAG\u00c9TICA DE WILLIAM BLAKE (1780-1824) &#8211; Guilherme Weiber<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;ENTRE MACHADOS E ESQUELETOS: A LITERATURA DE HORROR MACHADIANA DO S\u00c9C. XIX&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:255},&quot;12&quot;:0}\">ENTRE MACHADOS E ESQUELETOS: A LITERATURA DE HORROR MACHADIANA DO S\u00c9C. XIX &#8211; Matheus Menarim Moers<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;AS VOZES E ESFERAS OCULTAS DOS MIGRANTES MINEIROS NO NORTE DO PARAN\u00c1: AN\u00c1LISE DE FONTES ORAIS SOB A PERSPECTIVA DE PAUL THOMPSON&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:255},&quot;12&quot;:0}\">AS VOZES E ESFERAS OCULTAS DOS MIGRANTES MINEIROS NO NORTE DO PARAN\u00c1: AN\u00c1LISE DE FONTES ORAIS SOB A PERSPECTIVA DE PAUL THOMPSON &#8211; Isabelle Muraro Gon\u00e7alves<\/span><\/li>\n<li>A PECU\u00c1RIA NOS CAMPOS GERAIS: AN\u00c1LISE DA DELIMITA\u00c7\u00c3O ESTABELECIDA ENTRE DESENVOLVIMENTO SOCIOECON\u00d4MICO E BEM-ESTAR ANIMAL &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Laureen Silva&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Laureen Silva<\/span><\/li>\n<li>PANORAMA DO ESTABELECIMENTO DO PODER PAPAL E IMPERIAL NO OCIDENTE LATINO (S\u00c9CS. IV-IX) &#8211; <span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;Eduardo Leite Lisboa&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}\">Eduardo Leite Lisboa<\/span><\/li>\n<\/ul>\n<h2><span style=\"color: #800080\">Sess\u00e3o 9 &#8211; 01\/10\/2021 &#8211; 18:30 horas<\/span><\/h2>\n<ul>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;REPRESENTA\u00c7\u00d5ES E APROPRIA\u00c7\u00d5ES SOBRE A HIST\u00d3RIA DA \u00c1FRICA E CULTURA AFRO-BRASILEIRA POR ESTUDANTES DO ENSINO FUNDAMENTAL DE GUARAPUAVA -PR&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:10027263},&quot;12&quot;:0}\">REPRESENTA\u00c7\u00d5ES E APROPRIA\u00c7\u00d5ES SOBRE A HIST\u00d3RIA DA \u00c1FRICA E CULTURA AFRO-BRASILEIRA POR ESTUDANTES DO ENSINO FUNDAMENTAL DE GUARAPUAVA -PR- Edson Willian da Costa<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;A MATERNIDADE N\u00c3O CHEGOU, E DA\u00cd? A AUS\u00caNCIA DO MATERNALISMO EM TERESINA-PI NA D\u00c9CADA DE 1970&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:10027263},&quot;12&quot;:0}\">A MATERNIDADE N\u00c3O CHEGOU, E DA\u00cd? A AUS\u00caNCIA DO MATERNALISMO EM TERESINA-PI NA D\u00c9CADA DE 1970 &#8211; Thayn\u00e1 Guedes Assun\u00e7\u00e3o Martins<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;\u201cJOGANDO COM OS DEUSES \u201d: DIREITO E MAGIA NO PER\u00cdODO ARCAICO DO DIREITO ROMANO (VIII a.C \u2013II a.C) &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:10027263},&quot;12&quot;:0}\">\u201cJOGANDO COM OS DEUSES \u201d: DIREITO E MAGIA NO PER\u00cdODO ARCAICO DO DIREITO ROMANO (VIII a.C \u2013II a.C) &#8211; Lucas Ot\u00e1vio Boamorte<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;ENTRE O DOGMA E A RAZ\u00c3O: OS CIRCULOS INTELECTUAIS ANTICLERICAIS, O CLERO PARANAENSE E A QUEST\u00c3O FEMININA NA IMPRENSA CURITIBANA E PONTA-GROSSENSE (1901-1920) &quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:10027263},&quot;12&quot;:0}\">ENTRE O DOGMA E A RAZ\u00c3O: OS CIRCULOS INTELECTUAIS ANTICLERICAIS, O CLERO PARANAENSE E A QUEST\u00c3O FEMININA NA IMPRENSA CURITIBANA E PONTA-GROSSENSE (1901-1920) &#8211; D\u00e9bora do Rocio Pacheco da Silva<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;CONGADA DA LAPA: UM ESTUDO SOBRE A TRAJET\u00d3RIA ORAL PASSADA DE GERA\u00c7\u00c3O EM GERA\u00c7\u00c3O PELA FAM\u00cdLIA FERREIRA AO LONGO DO S\u00c9CULO XX.&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:10027263},&quot;12&quot;:0}\">CONGADA DA LAPA: UM ESTUDO SOBRE A TRAJET\u00d3RIA ORAL PASSADA DE GERA\u00c7\u00c3O EM GERA\u00c7\u00c3O PELA FAM\u00cdLIA FERREIRA AO LONGO DO S\u00c9CULO XX &#8211; Mauro S\u00e9rgio Souza Pinto<\/span><\/li>\n<li><span data-sheets-value=\"{&quot;1&quot;:2,&quot;2&quot;:&quot;PROCESSO DE POVOAMENTO EM TORNO DA REGI\u00c3O DO ALAGADOS EM PONTA GROSSA (PR), DE 1911 A 1955&quot;}\" data-sheets-userformat=\"{&quot;2&quot;:515,&quot;3&quot;:{&quot;1&quot;:0},&quot;4&quot;:{&quot;1&quot;:2,&quot;2&quot;:10027263},&quot;12&quot;:0}\">PROCESSO DE POVOAMENTO EM TORNO DA REGI\u00c3O DO ALAGADOS EM PONTA GROSSA (PR), DE 1911 A 1955 &#8211; Willian Mateus Lisboa<\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>SESS\u00d5ES DE DEBATES (atividades remotas &#8211; os links para as salas virtuais ser\u00e3o enviados para os inscritos) Acesso aos textos das sess\u00f5es de debate aqui. Sess\u00e3o 1 &#8211; 29\/09\/2021 &#8211; 14 horas REPRESENTA\u00c7\u00d5ES E APROPRIA\u00c7\u00d5ES DE LIVROS DID\u00c1TICOS DE HIST\u00d3RIA: ESTUDANTES DE GUARAPUAVA (PR) EM FOCO DE AN\u00c1LISE &#8211; Mariana de S\u00e1 Gaspar AS REPRESENTA\u00c7\u00d5ES&nbsp;&hellip;<\/p>\n","protected":false},"author":188,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www2.uepg.br\/ppgh\/wp-json\/wp\/v2\/pages\/449"}],"collection":[{"href":"https:\/\/www2.uepg.br\/ppgh\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www2.uepg.br\/ppgh\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www2.uepg.br\/ppgh\/wp-json\/wp\/v2\/users\/188"}],"replies":[{"embeddable":true,"href":"https:\/\/www2.uepg.br\/ppgh\/wp-json\/wp\/v2\/comments?post=449"}],"version-history":[{"count":12,"href":"https:\/\/www2.uepg.br\/ppgh\/wp-json\/wp\/v2\/pages\/449\/revisions"}],"predecessor-version":[{"id":469,"href":"https:\/\/www2.uepg.br\/ppgh\/wp-json\/wp\/v2\/pages\/449\/revisions\/469"}],"wp:attachment":[{"href":"https:\/\/www2.uepg.br\/ppgh\/wp-json\/wp\/v2\/media?parent=449"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}